In the whirlwind of 1990s fame, two of the world’s most recognizable faces—Macaulay Culkin and Michael Jackson—formed a surprising and enduring friendship. On the surface, it might have seemed like an unlikely pairing: the King of Pop and the precocious child actor from Home Alone. But beneath the headlines and tabloid fascination was a connection rooted in shared experiences, mutual understanding, and authentic affection.
Their first official meeting occurred when Jackson reached out to Culkin after watching Home Alone in 1990. “He kind of called me randomly, like out of the blue,” Culkin recalled. Their initial encounter was backstage during Culkin’s performance in The Nutcracker at Lincoln Center, but the real bond formed later. Jackson recognized something in the young actor—a fellow child star thrust into the blinding spotlight at a young age.
“We connected because I didn’t treat him like a god,” Culkin explained. “To me, he was just a guy. I wasn’t one of his fans, and I think he liked that.” While others were starstruck, Culkin was nonchalant, often teasing Jackson and calling him names like “fathead.” Their relationship, Culkin emphasized, was just simple and real.
The two spent vacations together, including time in Bermuda, where they engaged in silly pranks like throwing signed water balloons at fans. “He was hilarious,” Culkin said, reminiscing about Jackson’s love for prank calls and childish mischief. “People don’t realize how funny he was. He was charming and silly.”
Jackson, who often spoke about his lost childhood, seemed to find solace in living vicariously through Culkin and other young friends. “He missed having a childhood,” Culkin said. “That’s why he ran around doing all these crazy things—because now he could.”
They also shared an understanding of the isolating effects of fame. “He was one of the few people who understood what I was going through,” Culkin said. “Nobody at my Catholic school could relate. He could.”
Their friendship, however, became the subject of intense scrutiny when Jackson faced allegations of child molestation in 1993 and again in the 2000s. Culkin, who had spent nights at Neverland Ranch, never wavered in his defense. He admitted to sleeping in Jackson’s room but emphasized there was nothing inappropriate: “Michael’s bedroom was two stories and had three bathrooms. It’s not what people think.”
When asked if his parents encouraged his visits to Neverland, Culkin said they didn’t push or oppose it—it was his choice. “I wanted to hang out with him, and they were fine with it.”
During Jackson’s 2005 trial, Culkin testified in court, stating under oath that Jackson had never touched him inappropriately or acted improperly with anyone. When the prosecutor suggested Jackson might have molested him while he slept, Culkin responded, “As far as I know, I was never molested.”
Culkin also became the godfather to Jackson’s children and remained close to him until his death in 2009. Reflecting on their relationship years later, Culkin described it as “normal” despite public curiosity. “It wasn’t weird. It was a friendship that people question only because he was the most famous person in the world.”
He added, “If I had something to speak up about, I would. But no, I never saw anything. He never did anything.”
In a rare interview, Culkin spoke out not to gain attention or defend himself, but to defend his friend. As one commentator put it, “He’s telling people: take my dead friend’s name out of your mouth.”
In a world obsessed with celebrity, Culkin and Jackson’s friendship was a rare instance of something genuine—a bond forged not by fame, but by shared vulnerability and the need to be seen as human.
News
At just 15 years old, Emma Kok delivered a breathtaking performance of “Voilà”, leaving the audience spellbound at André Rieu’s Maastricht concert.
At just 15 years old, Emma Kok delivered a breathtaking performance of “Voilà”, leaving the audience spellbound at André Rieu’s…
Akim Camara: Violin Prodigy & Magical Moments with André Rieu. At first, 3-year-old Akim Camara stepped onto the stage with a bit of hesitation, his eyes wide open in front of thousands of spectators. But then, when the first note sounded, the shyness disappeared, giving way to a spectacular performance. Without a sheet of music in front of him, the boy played completely from memory – an amazing ability for such a young age.
Akim Camara: Violin Prodigy & Magical Moments with André Rieu. At first, 3-year-old Akim Camara stepped onto the stage with…
I have been reading the beautiful comments and tributes to Mario Lanza on this page, and what strikes me is that no one is catty, nasty, or using foul language. Beautiful music and singing inspires beautiful thoughts and feelings. The young people of today need to hear singing like this, and be inspired and thrilled as we are even 47 years after Lanza’s death. The beauty of his voice is eternal. Mario Lanza’s unforgettable rendition of “Be My Love” remains one of the most celebrated recordings in classical crossover history. Released in 1950, the song became a defining moment in his career, propelling him to international stardom and securing his legacy as one of the greatest tenors of the 20th century.
I have been reading the beautiful comments and tributes to Mario Lanza on this page, and what strikes me is…
Ohhh my gosh. Like father like son. Matteo’s voice sounds like Andrea’s. Matteo has had a great teacher in his father. Now the legacy goes on. Matteo Bocelli, the gifted son of Andrea Bocelli, joined forces with world-renowned violinist David Garrett for a breathtaking performance of “Ave Maria”, composed by Franz Schubert. Sung in Italian, this collaboration blended operatic vocals with masterful violin artistry, creating a powerful musical moment that captivated audiences worldwide.
Ohhh my gosh. Like father like son. Matteo’s voice sounds like Andrea’s. Matteo has had a great teacher in his…
Anna Netrebko and Dmitri Hvorostovsky take the stage with a breathtaking performance of Ruggero Leoncavallo’s masterpiece. Their voices intertwine with passion and intensity, capturing the raw emotion and dramatic depth of the music. Netrebko’s radiant soprano and Hvorostovsky’s rich, velvety baritone create an unforgettable musical experience, filled with elegance and power. The chemistry between them is undeniable, making this performance a true testament to their extraordinary artistry.
Anna Netrebko and Dmitri Hvorostovsky take the stage with a breathtaking performance of Ruggero Leoncavallo’s masterpiece. Their voices intertwine with…
When Khatia Buniatishvili stepped on the stage with Chopin’s Prelude, Op. 28, No. 4 at the Verbier Festival, it was a deeply emotional journey. Her delicate touch and nuanced phrasing brought out the piece’s sorrow and grace, capturing the essence of Chopin’s emotional depth. Each note was delivered with technical precision and heartfelt expression, making her interpretation an unforgettable and moving experience.
When Khatia Buniatishvili stepped on the stage with Chopin’s Prelude, Op. 28, No. 4 at the Verbier Festival, it was…
End of content
No more pages to load